Media, Art & Representation

Civic Duty of Exercising My RightsYesterday was the first Wednesday of the month, which means I was supposed to be continuing my thesis series, focusing this time on the writing of the thesis proposal -- but, even after taking an extra day, I can't bring myself to write about anything other than what I saw on the streets of DC on Tuesday night. Since this is gnovis, though, I'll try to turn off my emotional gushing and say something of academic worth, by focusing on digital media and collective memory.

I'll begin with a question. The pivotal moments in American history are, in our collective memory, linked most vividly to specific images, soundbites, and quotes, which act as a common reference point for summoning forth all of the complexity of that moment - "Four score and seven years ago...," "Ask not what your country...," "One small step for man...," and so on.

So in 2008, in a hyper-mediated era, what will be the media-bites that come to define this moment, in our collective memory? How will we choose from all this stuff?  Read More »

 

 

It does seem like I'm always coming around here to tell you about things I'm really interested in, but haven't quite worked through all the implications.  Sorry about that.  It does seem like that is what blogging is for, so I hope you'll stay with me as I'm working through all these things.  Read More »

This weekend, I was lucky enough to attend a couple of great events that shared a common theme: art as a political force.

First, I’d briefly like to promote Georgetown’s Performing Art’s performance of
“…and Jesus Moonwalks the Mississippi”.
 Read More »

Since 1993, almost 400 women in Ciudad Juarez, Chihuahua, Mexico, a town on the U.S./Mexico border, have been violently murdered without reason or explanation (Amnesty International). For the most part, they all fit a certain description; pretty, petite, dark haired, and extremely poor (Teresa Rodriguez 2007). There are several theories as to who is behind the killings, ranging from cults, to drug dealers, to police themselves, however the cases remain unsolved.  Read More »

Author: 
Edward Erikson
Abstract: 
The following paper takes up the tradition of aphoristic writing in order to examine the concept of the book and the image of the palimpsest in the age of hybridity. The digitization of culture has resulted in the increasing irrelevance of the material object of the book. Nevertheless, the concept of the book remains a powerful metaphor that structures virtual spaces and infiltrates contemporary culture. In contemporary art, the concept of the book has appears in many iterations, but must prominently in the image of the palimpsest, I examine this image as it is taken up by Anselm Kiefer in his work Heavenly Places; William Gibson and Kevin Bego’s Jr. book Agrippa (a book of the dead); and Peter Greenaway’s film The Pillow Book. Furthermore, the paper is not guided by a single thesis, but rather by a series of questions. I ask: What is the status of the book in the age of hybridity? What is the function of decay? In what ways is it enacted? What might the concept of the book reveal to us about the status of nostalgia and aura in the contemporary moment?  
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